The following experimental digital documentary poem is composed of citations of William Ellery Leonard's new verse translation of the Old English poem Beowulf (1923), George Gales's Upper Mississippi: or, Historical Sketches of the Mound-Builders, The Indian Tribes, and the Progress of Civilization in the North-West (1867), and "The Spirit Raccoon," a Ho-Chunk narrative of Lake Mendota by a storyteller once known, collected by Charles E. Brown and the Folklore Section of the Federal Workers' Project in Wisconsin in Wisconsin Indian Place Legends (1936).
When this MOUND web page is loaded and/or reloaded, server-side code selects and loads a random collection of lines from a relational database of citations:
And with battle-bucklers, as his prayer had been.
Buried without a funeral, because the church had no prayers.
At present known as Maple Bluff. Here the raccoon had.
As useless unto mortals as it was of old.
What object the MOUND-Builders had in the laborious erection.
Water or tried to go ashore. In the lake he was obliged to.
His wonder-works of glory. Let it ever be.
They bore. But those suggestions are not only based on two.
To a wooded point on the eastern shore of Lake Mendota.
Around the brands and ashes a wall they ran and wrought.
In life's next scene of transmigration be.
Years Indians camping near this bluff have heard.
Unglad of mood, in grief they mourned their great Chief dead.
The second suggestion is, that they had names like the modern.
The Yahara (Catfish) River at Lake Monona saw in the sandy soil.
MOUNDS by Maxwell Gray is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. (Based on a work at https://madisonmounds.com.) Project research and development take place at the Wisconsin Historical Society Library and Archives and University of Wisconsin—Madison. Both institutions occupy ancestral Ho-Chunk land called Teejop (day-JOPE) ("Four Lakes"), where the Ho-Chunk people have lived and called home since time immemorial. Indeed, both institutions were founded upon exclusions and erasures of the Ho-Chunk and other Indigenous peoples. Today, the Ho-Chunk and other Indigenous peoples continue to have a special connection to the region's land and water, and to resist white settler colonialism and conquest in the state. The project is committed to the development of new modes of collaboration, engagement, and partnership for the care and stewardship of past and future heritage collections and objects. (Learn more about Cultural Institution (CI) notices at Local Contexts.)