Charles Brown and Vivian Morgau are at the excavation site of mound No. 5 at the Reynolds farm.
Wisconsin Historical Society, Charles E. Brown, "Charles Brown and Vivian Morgau," Image ID 147182 (1931).

The following experimental digital documentary poem is composed of citations of William Ellery Leonard's new verse translation of the Old English poem Beowulf (1923), George Gales's Upper Mississippi: or, Historical Sketches of the Mound-Builders, The Indian Tribes, and the Progress of Civilization in the North-West (1867), and "The Spirit Raccoon," a Ho-Chunk narrative of Lake Mendota by a storyteller once known, collected by Charles E. Brown and the Folklore Section of the Federal Workers' Project in Wisconsin in Wisconsin Indian Place Legends (1936).

When this MOUND web page is loaded and/or reloaded, server-side code selects and loads a random collection of lines from a relational database of citations:

A MOUND upon the headland, that was broad and high.

Was, among many others, taught by Pythagoras and Plato.

The tracks of an animal, unmistakably those of a raccoon.

The terror of the raider, captivity and shame.

The fact that many modern Indians have names that can not.

From this legend Lake Mendota obtained its Indian name.

And hung it with helmets, with byrnies a-sheen.

According to that, such chiefs must go without honor to.

There is another version of this story in which the.

Laid their Lord beloved, weeping in their dearth.

Entirely without evidence: first that the MOUND-Builders used.

He said that he did not care whether it was a spirit raccoon.

Swart above the blazing. And the roar of flame.

And has been illustrated by the poet Dryden in the following.

Roasted its flesh. Of this he ate heartily, his friend.

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Creative Commons License

MOUNDS by Maxwell Gray is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. (Based on a work at https://madisonmounds.com.) Project research and development take place at the Wisconsin Historical Society Library and Archives and University of Wisconsin—Madison. Both institutions occupy ancestral Ho-Chunk land called Teejop (day-JOPE) ("Four Lakes"), where the Ho-Chunk people have lived and called home since time immemorial. Indeed, both institutions were founded upon exclusions and erasures of the Ho-Chunk and other Indigenous peoples. Today, the Ho-Chunk and other Indigenous peoples continue to have a special connection to the region's land and water, and to resist white settler colonialism and conquest in the state. The project is committed to the development of new modes of collaboration, engagement, and partnership for the care and stewardship of past and future heritage collections and objects. (Learn more about Cultural Institution (CI) notices at Local Contexts.)